前期出版
前期出版
頁數：159﹣190
性暴力的文化再現：港台強暴電影的文本分析
Cultural Representation of Sexual Violence: A Text Analysis of Chinese Rape Films
研究論文
作者(中)
羅燦煐
作者(英)
Tsun-Yin Echo Luo
關鍵詞(中)
新聞學研究,政大
關鍵詞(英)
sexual violence, rape myth, Chinese film, patriarchal hegemony
中文摘要
本研究旨在於檢視強暴電影的性暴力再現，以探討父權意識形態的爭霸動力。本研究以維護男性宰制的強暴迷思為分析架構，檢視14部港台強暴電影的文本內容。本研究發現，港台強暴電影的性暴力再現，與英美相關文獻有類同之處。大體而言，發現港台電影的性暴力建構，一方面再現父權體制的主流迷思，包括：強調受暴女性的「性吸引力」、質疑女性的受暴宣稱、責備受暴女性的咎由自取、貶低受暴女性的價值、強調男「性」的「征服」與「成就」，與凸顯女「性」的客體性及被用性。此外，港台電影的性暴力再現，尚建構反迷思的另類論述，包括：（良家婦女）好女孩的受暴者、熟識的加害人、強暴手法的過度暴力化、女性的徒勞反抗，「命定」受暴；受暴女性的「必然」自卑創傷；（條件式的）女性情慾自性、男性的性焦慮。強暴電影的性暴力建構，雖提供父權體制的主流迷思與反迷思的爭霸場域，但強暴電影的反迷思建構，透過強化「性恐怖統治」與凸顯男性主控的性文化腳本，與主流迷思產生辯證關係，仍迂迴鞏固現存的父權意識形態。
英文摘要
This study conducted a text analysis of 14 Chinese rape films to examine the cultural representations of sexual violence against women in Taiwan. Based the analytical framework on popular rape myths, this study examines the representations of rape offender and victim, as well as the circumstances and social responses to the rape incidents in the selected films.
This study found Chinese rape films reflect and reinforce popular misconceptions about the offender, victim and causes of rape incidents.
However, Chinese rape films also construct alternative representations to the main stream rape myths. This study maintains that, although providing a discursive field for hegemonic struggle, the alternative representations in Chinese rape films dialectically reinforce female dependence and compliance to male protection, as well as dialectically emplhasize the dominance and achievement of male sexuality. Thus, Chinese rape films dialectically reinforce dominant patriarchal ideology in the hegemonic process of sexual violence against women in Taiwan.
This study found Chinese rape films reflect and reinforce popular misconceptions about the offender, victim and causes of rape incidents.
However, Chinese rape films also construct alternative representations to the main stream rape myths. This study maintains that, although providing a discursive field for hegemonic struggle, the alternative representations in Chinese rape films dialectically reinforce female dependence and compliance to male protection, as well as dialectically emplhasize the dominance and achievement of male sexuality. Thus, Chinese rape films dialectically reinforce dominant patriarchal ideology in the hegemonic process of sexual violence against women in Taiwan.
401次下載
1998/ 秋
No.57
