頁數:121﹣160
當流動科技闖進藝術殿堂:從博物館視聽導覽之使用談其對藝文消費之介入
When Mobile Technology Enters the Temple of Art: Incorporating Museum Audio Guides into the Consumption of Art
2014/
119
作者(中) 賴嘉玲
作者(英) Chia-ling Lai
關鍵詞(中) 人機組裝體、展覽複合體、媒介科技與流動性、視聽導覽、藝文消費
關鍵詞(英) art consumption, audio guide, exhibitionary complex, hybrid, mobile media technology
中文摘要 如同手機流動科技展現了社會的流動現代性,博物館的視聽導覽同樣展演了物質文化、流動科技與社會性的複雜交織。援引行動者網絡理論,本研究將使用視聽導覽的參觀者當作人機組裝體,並探討引入「影音」時間性如何轉變了空間式的博物館「展覽複合體」與藝文參觀的速度政治。最後討論使用導覽所需的文化、經濟與社會資本,思考流動科技中介對藝文接收實踐之影響。透過田野觀察與深度訪談法,本研究以2007-8年台北故宮的「華麗巴洛克:偉大的哈布斯堡收藏家—來自維也納藝術史博物館之鉅作」展為展覽個案。
英文摘要 As mobile technologies are applied to perform the fluid mobility of the social, museum audio guides facilitate the complex interaction among material culture, mobility, and society. Based on actor-network theory, this study considered the user of audio guides to be both a human and a nonhuman hybrid assembly. I examined the process of how an audio guide combines narrated text with a temporal rhythm to transform the museum as a spatial ‘exhibitionary complex’. Thus, audio guides introduce a new speed politics in museum visiting. Finally, I analyzed the cultural, economic, and social capital of users employing audio guides as a mobile technology. This research was based on the observation and in-depth interviews of visitors to the “Splendour of the Baroque and Beyond” exhibition at the National Palace Museum in Taipei between October 2007 and February 2008.
 
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